Only thirty seconds up Andrew’s and my new favorite trailhead stands a majestic sprawling oak the likes of which cannot fail to transport me into fits of exultation.
This essay is not about that tree, though I’ll be shocked if by next fall I haven’t followed up with many unhinged rhapsodic lines on the matter. The moss! The lichens! The flock of red-headed woodpeckers! I’ve got to wait for its leaves to come in fresh so I can be sure of its species.
No – but today’s story begins beneath that tree, under the warming late winter sun, with me gazing through the oak’s branches, my new phone (with its new and better camera!) in my hands. I raised the camera between my face and the tree. Shook my head. Crouched down and raised the phone once more. Hesitated between portrait and landscape mode. Tried to imagine what Katrina, the photographer of the family, might do. Then looked disappointedly at Andrew.
“We’ll need to come back on a greyer day,” I said. “It won’t look right in the pictures with the sun so nice.” I rose and snapped a close-up of a gnarled scar where a small branch had once been.
Katrina and I stepped under the pale stucco archway. To our left, tucked between the eastern and southern arches, stood a tall statue of Sekhmet, ancient Egypt’s lion-headed goddess. To our right, between the eastern and northern entries, was an altar covered in small representations of the Divine Feminine: Quan Yin, the Venus of Willendorf, Parvati. The flagstone floor glistened with desert rocks, sand, and small glass pebbles.
Above us, open sky beckoned beyond a dome of intersecting copper circles.
Gazing up, I realized I’d made an error. The small, open temple wasn’t cut off from the Mojave Desert surrounding it, but the feel within its walls was different enough, and familiar enough. Sacred space.
“Hey,” I said, looking back at my sister. “I need to take off my shoes.”
Katrina stepped backwards several steps. “I was thinking the same thing.”