Memento Mori VI – Or, The Gecko on the Ceiling

CW: Animal death, decomposition, grotesque imagery, grim humor

Sometime in the night, the tokay gecko had finished a battle mortally wounded, had climbed to one of the most out-of-the-way vertical surfaces in the parking structure, and had perished.

So it was that early Sunday morning, I spotted the mottled grey-and-orange corpse while walking with my family from our condo to our van. I was sixteen and living in Pakkret, just outside of Bangkok, Thailand. The tokay gecko clung to a cement support beam spanning the vast ceiling, on the face overlooking the cars, rather than the side facing the open air over the man-made Nichada Lake. He happened to be situated directly above our assigned spot.

We did not yet realize the lizard was dead—after all, dead things don’t cling to vertical surfaces on their own. We noticed him, figured he was hunting some morning insects, and forgot him in moments.

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Close-up of green gecko’s toes clinging to glass. Photo sources.

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Memento Mori V – Or, The Deer and the Turkey Vultures

CW: Animal death, decomposition, blood, death

The deer had been struck by a car a few hours before, as the sun warmed the early-dawn horizon. At least, I could only assume this was the case. I hadn’t seen the impact—wasn’t present for any last struggles or last breaths. All I had was the evidence as I came upon it: the fresh deer carcass, glossy-coated and gracefully arranged even in death, surrounded by seven or eight dark, stooped turkey vultures going about their grim business like so many Reapers.

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Close-up of a turkey vulture’s head and shoulders. Photo by Steve Harvey on Unsplash

Continue reading “Memento Mori V – Or, The Deer and the Turkey Vultures”